Chris Burden: Metropolis II Coming to LACMA

Can't wait to see this monumental work from Chris Burden at LACMA...

A short doc about a kinetic sculpture that took four years to build. We had the honor of spending three days in Chris Burden's studio filming this sculpture before it was moved to the Los Angeles Country Museum of Art (LACMA) where it is being reinstalled.
The installation opens fall 2011.
Chris Burden is one of our favorite artists of all time. For more about him and his work http://en.wikipedia.org/wiki/Chris_Burden
http://www.gagosian.com/artists/chris-burden/

Directed by Henry Joost & Ariel Schulman
Edited by Max Joseph
Cinemtography by Schulman, Joost & Van Neistat
Music by Tortoise (Ten-Day interval) & Mahogany (Windmill International A)

Special Thanks to Zak Cook and everyone at the Burden studio...Tortoise, Mahogany, Jaclyn Slimm & Andrew Prinz

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"The 1961 Ferrari 250 GT California...

...less than a hundred were made. My father spent three years restoring this car. It is his love, it is his passion-

It is his fault he didn't lock the garage."

One of the most memorable automotive scenes in the history of film. From John Hughes' (RIP) 1986 movie, Ferris Bueller's Day Off.

OoooooooooohYeaaaah.

PLINC Catalog

I'm a huge fan of the boys (and girls) over at House Industries in Yorklyn, Delaware. Their latest project, the digitization of the overwhelming Photo-Lettering (PLINC) archives, has been online for a few months now. If you're a designer, be sure to go check it out...and be sure to sign up for their new printed PLINC catalog.

Above images House Industries © 2011

in situ: Betsy Cain at Telfair/Jepson

My former York Lane neighbor and friend Betsy Cain is presenting in situ at the Telfair Museum/Jepson Center in Savannah, GA later this month. If you're a local, go check it out; Betsy has been at the heart of the art scene in Savannah for more than twenty years.

D*Face Pool Paint Attack

On the subject of drawing lines, English artist D*Face recently teamed up with a few skateboarders, including Screaming Lord Salba, to transform an ordinary backyard pool into a curved canvas of cured concrete. Using some aerosol paint, a remotely-operated trigger and some ingenuity, each board was modified into a kinetic paint brush.

The result? A three dimensional, Spirograph-esque collaboration between the artist, the skaters and the pool...

ESPO/Stephen Powers for Ogilvy Mathers

ESPO (aka Stephen Powers) was recently commissioned by legendary advertising agency, Ogilvy Mathers, to flex his lettering skill on the interior of the companies corporate headquarters.

I dig Powers' vibe; his homage to vernacular typography, his use of humor and wit, and his always immaculate craftsmanship.

REFERENCE LIBRARY/Taliban Don't Surf PT. 2

My previous post, below, showed some of the content and concept of the Taliban Don't Surf print. Above are a few aspects of the craft of the design; from first thumbnail sketch (dated 2/21/11) and notes, to illustrating type specimens and creating other analog elements for use in the collage. After a few dozen digital comps, films are ripped, screens are coated and burned, inks mixed, paper trimmed and registered and squeegees pulled.

The final product, a two color, 18" x 24" screenprint, on 100# archival, black stock is available now (6/30/11) via 1xRun.com.