Monday, December 12, 2011
Sunday, December 11, 2011
Thursday, December 8, 2011
Wednesday, December 7, 2011
I'm a fan of DDC and the personality behind it, Mr. Aaron Draplin. He does great work, cares about the history of his medium and is funny as hell.
Tuesday, November 29, 2011
Honor Fraser is pleased to announce Loud Flash: British Punk on Paper, opening Saturday July 16, 6 to 8pm, and on view through August 27, 2011.
This exhibition is a compelling portrait of a particular moment in British popular culture, at the bitter end of the post-war period. It tells its story through a unique collection of several hundred posters, flyers and other ephemera assembled by artist and erstwhile punk, Toby Mott. With the passion of a true fan and an artist's eye for an image, he has gathered the evidence of the short life and premature, messy end of British Punk. There are iconic images by artists such as Jamie Reid and Linder Sterling, as well as flyers, gig posters, and zines, crudely cut and pasted by anonymous hands. A fascinating collection of political material supplies further context of a nation of unrest, torn by extremism, recording attempts by political extremes of both left and right to co-opt the power of youth.
Ephemeral and throwaway as each of these objects were, collected together they tell, in uniquely immediate and visual terms, a part of the history of Britain, the history of ideas, and the history of art. Punk has always exerted a fascination, but perhaps never stronger than at this moment. The legacy of punk has permeated modern culture and society, and its visual vocabulary infuses much contemporary art, while the punk spirit resonates in particular with the anti-elitist, DIY ethos of today's young, blogging artists and musicians. This exhibition recalls the anarchic spirit of authenticity and amateurism, the volatile and ambiguous celebration of negativity, creativity, violence and protest that was Punk.
Friday, August 5, 2011
A short doc about a kinetic sculpture that took four years to build. We had the honor of spending three days in Chris Burden's studio filming this sculpture before it was moved to the Los Angeles Country Museum of Art (LACMA) where it is being reinstalled..
The installation opens fall 2011.
Chris Burden is one of our favorite artists of all time. For more about him and his work http://en.wikipedia.org/wiki/Chris_Burden
Directed by Henry Joost & Ariel Schulman
Edited by Max Joseph
Cinemtography by Schulman, Joost & Van Neistat
Music by Tortoise (Ten-Day interval) & Mahogany (Windmill International A)
Special Thanks to Zak Cook and everyone at the Burden studio...Tortoise, Mahogany, Jaclyn Slimm & Andrew Prinz
Monday, August 1, 2011
Saturday, July 16, 2011
Thursday, July 14, 2011
ESPO (aka Stephen Powers) was recently commissioned by legendary advertising agency, Ogilvy Mathers, to flex his lettering skill on the interior of the companies corporate headquarters.
I dig Powers' vibe; his homage to vernacular typography, his use of humor and wit, and his always immaculate craftsmanship.